Review: THE LOST SWIMMER, Ann Turner

Synopsis (Net Galley)

Rebecca Wilding, an archaeology professor, traces the past for a living.

But suddenly, truth and certainty are turning against her. Rebecca is accused of serious fraud, and   worse, she suspects – she knows – that her husband, Stephen, is having an affair.

Desperate to find answers, Rebecca leaves with Stephen for Greece, Italy and
Paris, where she can uncover the conspiracy against her, and hopefully win
Stephen back to her side, where he belongs. There’s too much at stake – her
love, her work, her family.

But on the idyllic Amalfi Coast, Stephen goes swimming and doesn’t come back.

In a swirling daze of panic and fear, Rebecca is dealt with fresh allegations.
And with time against her, she must uncover the dark secrets that stand between
her and Stephen, and the deceit that has chased her halfway around the world.

My Take:

Rebecca Wilding is having a tough time at Coast University, particularly with the Dean of the Arts faculty, Professor Priscilla Chiton, who seems determined to make her life hell. Priscilla used to be a friend, but now Rebecca suspects she is having an affair with her husband Stephen, Professor of Economics. Rebecca also suspects that Stephen may be dabbling on the stock market again.

Suddenly things start to go very wrong when accounting irregularities crop up and Rebecca is accused of siphoning university funds into her own accounts.

There were some heart stopping moments in this thriller, particularly when they are driving a red sports car up a narrow road on the Amalfi Coast.

Stephen’s disappearance leads to Rebecca becoming a chief suspect for his possible murder, and she goes on the run from the police, attempting to track him down in Paris, where she thinks he is meeting up with Priscilla.

A good read: a debut novel from a female Australian author.

My rating: 4.4

About the author (publisher)

Ann Turner is an award-winning screenwriter and director, avid reader, and
history lover. She is drawn to salt-sprayed coasts, luminous landscapes,
and the people who inhabit them all over the world. She is a passionate
gardener. Her films include the historical feature Celia starring
Rebecca Smart—which Time Out listed as one of the fifty greatest
directorial debuts of all time, Hammers Over The Anvil starring Russell
Crowe and Charlotte Rampling, and the psychological thriller
Irresistible starring Susan Sarandon, Sam Neill, and Emily Blunt. Ann
has lectured in film at the Victorian College of the Arts. Returning to
her first love, the written word, in her debut novel The Lost Swimmer
Ann explores themes of love, trust and the dark side of relationships.
She is currently working on her second novel, Out of the Ice, a mystery
thriller set in Antarctica. Ann was born in Adelaide and lives in
Victoria.

Review: WINGS ABOVE THE DIAMANTINA by Arthur Upfield

WingsAboveTheDiamantinaUpfieldI enjoy participating in the Past Offences monthly classics challenge to read a book from the nominated year but am rarely able to track down an Australian title in time. Happily for 1936 there was a relatively new narration of Arthur Upfield’s eighth novel* available for my ears.

A reviewer’s caveat: When I first started reading crime fiction seriously as an adult I naturally looked for local authors and it wasn’t long before I found an Arthur Upfield novel but I have to admit I didn’t read many. Partly this is because they are at heart not my thing (my younger self’s crass summing would have been they consist mostly of country people banging on about boring country people stuff). But partly it is also because they make for uncomfortable reading. Although Bony is depicted with as much intelligence and crime-solving skill as any of his worldwide fictional counterparts, some of the attitudes he encounters – the thoughts and feelings expressed by many of the white characters towards any of the books’ Aboriginal characters – are awfully bigoted. My younger self was quite OK with leaving the past behind and believing (hoping?) we’d all moved on a long way from that sort of thing. As well as being a whole lot less naive, older me is able to place the novels in context a bit better and I can deal more philosophically with the wincing that the attitudes induce. Though as there are still a lot of country people banging on about country people stuff the novels are probably never going to count amongst my favourites.

On to the actual review: A small plane is found abandoned in remote Queensland. There is no sign of a pilot but a young woman, who appears to be in a coma, is found within. She is removed and taken to a nearby station (similar to an American ranch) where she is looked after by the owner’s daughter though she fails to recover and hovers near death. Inspector Napoleon Bonaparte, the part Aboriginal, part white policeman known to all as Bony who has developed a reputation for solving mysteries of the outback, is called in on the case and must act with unusual urgency if he is to provide information to aid the young woman’s recovery as well as catch the culprit. The fact that the plane has been all but destroyed by fire before Bony can inspect it adds to the mystery and results in Bony, and two local Aboriginal men, having to use all the tracking skills at their disposal.

The Diamantina River today

The Diamantina River today

Even today the far western Queensland location in which the events of this book take place provides one of the most isolated inhabited spots in the world and WINGS ABOVE THE DIAMANTINA takes full advantage of this unusual setting. Distances are vast, people are of necessity self-reliant and mother nature has a way of letting them know that even if they think they know what they’re doing she can always surprise them. It’s a toss up whether the cloying sand cloud scenario that develops at the novel’s half-way point or the the dramatic rain storm that occurs near the end is the most memorable natural phenomenon but I bet most readers remember at least one long after the novel is over. As far as the book’s setting in time goes there are plenty of things which identify it as being between the wars but in a way the remoteness of the location makes the novel seem less dated than it otherwise might. Even with modern communications and technology remote Australia is still a pretty inhospitable place and it is not too hard to imagine a similar kind of story unfolding today.

Aside from the unusual setting the book is really a classic whodunnit; almost an outback version of the country house mystery (though not all the potential suspects are in the one house they are all within the same few miles). The scene is laid – and possible culprits identified – in the first few chapters and then our protagonist enters proceedings. Bony is introduced when he arrives at the local policeman’s official residence and interrupts the completion of some paperwork. When ready, Sergeant Cox raises his head from his desk to see

“…a man of medium height and build dressed in a light grey tweed. His tie matched his shirt and so did the soft felt hat now resting on the edge of the writing table. The visitor’s face was turned downwards to the busy fingers engaged in making a cigarette and with no little astonishment the sergeant noticed that the man’s hair was fine and straight and black and that his skin was dark brown. And then he was gazing into a pair of bright blue eyes regarding him with a smile”

Almost all of Bony’s first encounters – either in this book or others – involve some form of astonishment on the part of those he is meeting for the first time. I can’t help but wonder if such a man had existed in real life he could have been quite so jovially accepting of other people’s low expectations of him as Bony is depicted as being. For all his unique qualities though Bony is at heart very similar to the other crime solvers that populate this era’s whodunnits – Poirot et al – in that it is his particular intelligence and way of seeing the world that allows him to solve the puzzles others cannot.

For me the plot of this novel was its weakest element. Some of it is annoyingly blokey (there is a thread in which a chap falls in love with the comatose woman which I found truly creepy) and I found my mind wavering a little during some of the minutiae of the investigation. It relied on a visual imagery of relative distances between various locations I couldn’t quite imagine and was heavy on the detail for some things I couldn’t summon much interest in (I wonder if any of the physical versions of the book have a map, it would definitely benefit from one). Perhaps I am truly gruesome enough to require a dead body for my crime reading senses to be completely engaged?

That said I did enjoy the novel much more than I thought I would based on my younger self’s reading of other Upfield books. The author’s genuine affection for his adopted country (he was born in England and moved here at the age of 20) is obvious, though perhaps he owes his his unusually (for the time) enlightened attitude towards our indigenous people to the fact he was not Australian by birth? Regardless of how it was developed it is clear from the warmth and realism with which he depicts them that he has met and grown to really know people like the fictional black fellas he has created here.

The audio format: I know this format isn’t for everyone but if you are a fan I highly recommend local actor Peter Hosking’s narration (of this and the many other Australian titles he has narrated over the years). This is a novel dominated in part by dialogue and Hosking does a superb job with the different cadences and speaking styles of the disparate characters and it really does add another layer of depth to the story.

*There is much variation in online bibliographies of Upfield’s work but this is generally attributable to the fact his books were published at sometimes wildly different times in different countries, and many were published under different names elsewhere. This novel for example is known as WINGS ABOVE THE CLAYPAN or WINGED MYSTERY in the US where it was Upfield’s second published novel in 1937


Publisher: This edition Bolinda Audio [2013], Original edition Angus and Robertson [1936]
ASIN: B00BLNP5U0
Length: 7 hours 48 minutes
Format: Audio download
Creative Commons Licence
This work by http://fairdinkumcrime.com is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: TRACKING NORTH, Kerry McGinnis

  • first published by Penguin Group Australia in 2013
  • ISBN 978-1-921901-47-8
  • Available for Kindle
  • 346 pages
  • source: my local library

Synopsis (Penguin Australia)

Kelly Roberts finds refuge in the rugged and remote cattle country of northern Australia, but when tragedy strikes she is forced to find a new life for herself and her children outside of Rainsford Station.

She retreats to the family’s only asset – a freehold block of land owned jointly by her eccentric father-in-law, Quinn. In the valley at Evergreen Springs, Quinn hopes the fractured family might all come together to start over again.

Life in Queensland’s far north is wildly unpredictable, with daily challenges and the wet season, in all its wild majesty, to survive. But when twelve-year-old Rob makes the
gruesome discovery of a dead body in the valley, real peril comes far too close to home.

Tracking North is a beautiful family story about life in the stunning Gulf Country, one of the world’s most unique and fascinating places.

My Take

First of all,  this is a book on the very edge of crime fiction, on the soft edge one might say. Certainly there is a crime, and a murder, and some violence, but essentially it is a story abut a way of life in Australia, in the Far North, and a family making its way in a world that is changing rapidly.

Kerry McGinnis has obviously drawn on first hand experience of living and working in remote Queensland, and I couldn’t help wondering how a non-Australian reader would see the landscape and life style that she describes. Perhaps it will be an eye opener.

I did enjoy the book, inveterate crime fiction reader that I am, much more than I expected to, even the romance that won its way in the end. And, as the friend who recommended it to me said, there is mystery, there is the odd puzzle to be solved.

My rating: 4.3

About the author

Kerry McGinnis was born in Adelaide and at the age of twelve took up a
life of droving with her father and four siblings. The family travelled
extensively across the Northern Territory and Queensland before settling
on a station in the Gulf Country. Kerry has worked as a shepherd,
droving hand, gardener and stock-camp and station cook on the family
property Bowthorn, north-west of Mt Isa. She is the author of two
volumes of memoir, Pieces of Blue and Heart Country, and the bestselling novels The Waddi Tree, Wildhorse Creek and Mallee Sky. Kerry now lives in Bundaberg.

Review: DARK HORSE, Honey Brown

  • first published Penguin Group 2013
  • ISBN 978-1-921901-53-9
  • 274 pages
  • source: Mt TBR
  • Available on Amazon for Kindle

Synopsis (Penguin Australia)

It’s Christmas morning on the edge of the rugged Mortimer Ranges. Sarah Barnard saddles Tansy, her black mare. She is heading for the bush, escaping the reality of her broken marriage and her bankrupted
trail-riding business.

Sarah seeks solace in the ranges. When a flash flood traps her on Devil Mountain, she heads to higher ground, taking shelter in Hangman’s Hut.

She settles in to wait out Christmas.

A man, a lone bushwalker, arrives. Heath is charming, capable, handsome.
But his story doesn’t ring true. Why is he deep in the wilderness
without any gear? Where is his vehicle? What’s driving his resistance
towards rescue? The closer they become the more her suspicions grow.

But to get off Devil Mountain alive, Sarah must engage in this secretive stranger’s dangerous game of intimacy.

My Take

The narrative is told from Sarah Barnard’s point of view and so the reader shares Sarah’s anxiety when a stranger comes out of the wild weather at the Hangman’s Hut. The weather worsens and they are stranded on Devil Mountain for seven days between Christmas and New Year. There are things about Heath that don’t seem to ring true, and although she and Heath become very intimate, Sarah feels he is not who he says he is. But then how much of her own story does Sarah tell?

Mid-story there is a twist that I really didn’t see coming. Excellent psychological suspense.

My rating: 4.5

About the author

Honey Brown lives in country Victoria with her husband and two children. She is the author of four books: Red Queen, The Good Daughter, After the Darkness and Dark Horse. Red Queen was published to critical acclaim in 2009 and won an Aurealis Award, and The Good Daughter was longlisted for the Miles Franklin Literary Award and shortlisted for the Barbara Jefferis Award in 2011. After the Darkness was selected for the Women’s Weekly Great Read and for Get Reading 2012’s 50 Books You Can’t Put Down campaign. Her fifth novel, Through the Cracks, was published in 2014.

Review: TELL THE TRUTH by Katherine Howell

TellTheTruthHowellAudioAs she has done throughout her series featuring Sydney police detective Ella Marconi, Katherine Howell has once again produced a story very different from its predecessors. It opens when paramedic Rowan Wylie pulls into the car park of a local Playland with his granddaughter and spots a car he recognises. He wonders if its owner, his colleague Stacey Durham, is here too and if so, why? Does she want him to apologise? After taking his granddaughter into the centre he looks for Stacey and when he can’t find her anywhere he takes a closer look at her car. Is that blood on the front seat? He calls her husband James and soon the police are involved too in the search for a woman who seems to have disappeared completely.

I was having the devil of a time getting hold of a print copy of this book so was quite chuffed when I noticed it available at Audible with a narration by Australian actor Caroline Lee. It’s so rare to have books by Australian authors available in this format and I thoroughly enjoyed the treat. Of course it helped that the book was a corker too.

The title is a an apt one and not only because at one point Stacey’s husband is directed via text message to tell the truth in order to get his wife back. Everyone, it seems, has something to hide. What is it that Rowan should apologise for? What about Stacey’s sister who used to go out with James before he married Stacey, what is she not saying? And is there something strange about Stacey’s niece Paris who is a trainee paramedic who can’t seem to overcome a mental block in becoming successful at the job? And is James a distressed husband or is there something more to his aborted suicide attempt? I like the way that the book depicts the realism of policing – that it mostly involves a lot of painstaking, routine interviewing and following-up random bits of information of which only a small percentage will prove useful – but still manages to be entirely compelling by showing how all of Stacey’s friends and family have things they’d rather not say.

For readers who have grown to know Ella Marconi over the course of the series there is some positive personal development for her here in that her relationship with Callum seems to be on sound footing. This despite the fact his mother hates her (because Ella investigated a cold case in which her husband was found guilty of a 20 year old murder). Callum is more easily accepted by Ella’s family, although her Aunt’s interrogation of him about his intentions make Ella squirm (and readers chuckle). But as usual with this series the detective doesn’t take over the case completely, and the characters involved in the core story all have plenty of room to grow. The depiction of young Paris, aching to be good at something but allowing her fears to almost paralyse her, is a particularly good one.

It seems from the author’s afterword that the pressure to keep innovating and maintain such high quality has taken its toll and this is to be the last book in the series. At least for now. While I am saddened by the news (and am a little cross that I was allowed to dive in to the latest book so recklessly, if I’d known it would be the last I might have saved it up) I do admire Howell’s willingness to walk away from a success and am glad the series won’t suffer the ignoble fate of fading into second-rate territory. It is definitely one of my absolute favourite series as there isn’t a dud in the bunch and TELL THE TRUTH offers a fitting finale. I’ll await with interest to see if Howell will turn her talents to something entirely different for me to read.


aww-badge-2015This is the 8th novel I’ve read and reviewed for this year’s Australian Women Writers Challenge. Check out my challenge progress and/or sign up yourself

I’ve reviewed all but the first published of Katherine Howell’s previous novels


Publisher: Bolinda Audio [2015]
ASIN: B00SC5W24C
Length: 11 hours, 58 minutes
Format: audio book (mp3)
Creative Commons Licence
This work by http://fairdinkumcrime.com is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: THE PORT FAIRY MURDERS by Robert Gott

PortFairyMurdersGottI assume that most Australians who don’t live there associate Port Fairy with summer holidays. I certainly do, having been to the town twice – once on a fondly remembered childhood family holiday and again as an adult. It is jarring to think of the seemingly idyllic coastal spot as the setting for some gruesome murders but, as he did with THE HOLIDAY MURDERS, Robert Gott once again paints a very credible picture of wartime Australia and the dark hearts of some of its inhabitants.

This novel is very much linked to its predecessor which probably explains why the author has included a helpful summary of the first novel at the beginning of this one. When it opens the main characters are all still reeling from the brutal events that ended the first book, two in particular are struggling with the physical and psychological damage inflicted on them by Nazi sympathisers. One of the people responsible for that brutality is George Starling who eluded police then and is now set on finishing off the job he started and generally causing havoc and death. To that end he is on the trail of Joe Sable, a sergeant with the newly formed Victorian homicide squad and a man Starling didn’t quite manage to kill in the first novel.

In a completely separate thread we meet a Port Fairy family. There’s an elderly lady with a mentally disabled brother and their adult niece and nephew. In a manner that resembles the Golden Age of detective fiction the novel takes the time to establish these characters and their small community with its religious and social tensions before ripping apart the family with a brutal death or two. Although it is an interesting thread in its own right there is no real connection between this story and the hunt for George Starling, aside from the fact that the homicide squad are involved with both investigations, which gives the book a slightly disconnected feel.

The characters are a real strength of this novel. The way Joe Sable is dealing with his feelings of guilt over the events depicted in the first novel combined with his dawning awareness of what it means to be Jewish make him compelling. One of his colleagues is Helen Lord who is struggling to be taken seriously. Although her boss recognises her skills and intelligence almost everyone else thinks she is good for not much more than making cups of tea. We see more of Helen outside the office in this installment and learn something of her family history and see her complicated relationship with her mother. I also found the family at the heart of the Port Fairy thread engaging in a ‘my family’s not so bad after all‘ sort of way.

I really like the way Robert Gott writes and puts together a story. The combination here of using an interesting time period in our history, filling it with compelling characters and telling a story that unfolds in unexpected ways makes THE PORT FAIRY MURDERS an above average read. I’d recommend the book to anyone but do think it would make for a more satisfying reading experience after having read the first novel in the series.


I reviewed the first book in this series, THE HOLIDAY MURDERS, a couple of years ago


Publisher: Scribe [2015]
ISBN: 9781925106459
Length: 282 pages
Format: paperback
Creative Commons Licence
This work by http://fairdinkumcrime.com is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: MEDEA’S CURSE, Anne Buist

  • first published by Text Publishing Melbourne 2015
  • ISBN 9-781922-182647
  • 366 pages
  • source: my local library

Synopsis (publisher)

Forensic psychiatrist Natalie King works with victims and perpetrators of violent crime. Women with a history of abuse, mainly. She rides a Ducati a size too big and wears a tank top a size too small. Likes men but doesn’t want to keep one. And really needs to stay on her medication.Now she’s being stalked. Anonymous notes, threats, strangers loitering outside her house.

A hostile former patient? Or someone connected with a current case?
Georgia Latimer—charged with killing her three children. Travis
Hardy—deadbeat father of another murdered child, with a second daughter
now missing. Maybe the harrassment has something to do with Crown
Prosecutor Liam O’Shea—drop-dead sexy, married and trouble in all kinds
of ways.

Natalie doesn’t know. Question is, will she find out before it’s too late?

Anne Buist, herself a leading perinatal psychiatrist, has created an
edge-of-the-seat mystery with a hot new heroine—backed up by a lifetime
of experience with troubled minds.

My Take

At first I found the characters and events of this story hard to get sorted. Natalie King leads a complex and busy life working on cases where mothers have been accused, even convicted, of murdering their children. It is all made more complex by her own bipolarism, supposedly kept under control by medication, if she remembers to take it. What happens when she doesn’t is frightening to say the least. Natalie reports regularly to her supervisor Declan who attempts to provide therapy and controls to keep her focussed, but he can only work with what she tells him, or guess at what she is hiding from him.

Things become more complicated though when it appears that at least one of the fathers of the dead or missing children may be connected to a pedophile ring. Most of what Natalie knows is told to her in confidence and she struggles to know what she can pass on to the police without endangering her clients, to say nothing of endangering herself.

Throughout my reading of this novel I could not get out of my head MOTHERS WHO MURDER by Xanthe Mallett, a true crime book that I read last year. MOTHERS WHO MURDER looks at a number of Australian cases where the author feels there has been the possibility of a miscarriage of justice. I feel that this book and MEDEA’S CURSE have the same starting point in the real world, with the latter fictionalising a response from real events.

Anne Buist writes with an authority and confidence that makes the reader sure that these things do happen, even if they rarely surface in my world. This makes for a gritty and noir novel, not for the faint hearted.

My rating: 4.7

About the author

Professor Anne Buist is the Chair of Women’s Mental Health at the University of
Melbourne and has over 25 years clinical and research experience in
perinatal psychiatry. She works with Protective Services and the legal
system in cases of abuse,kidnapping, infanticide and murder. Medea’s Curse is her first mainstream psychological thriller.

Review: HADES, Candice Fox

Synopsis (Random House Australia)

A dark, compelling and original thriller that will have you spellbound from its atmospheric opening pages to its shocking climax.

Hades Archer surrounds himself with the things others leave behind. Their
trash becomes the twisted sculptures that line his junkyard. The bodies
they want disposed of become his problem – for a fee.

Then one night a man arrives on his doorstep, clutching a small bundle that he wants ‘lost’. And Hades makes a decision that will change everything…

Twenty years later, homicide detective Frank Bennett feels like the luckiest man on the force when he meets his new partner, the dark and beautiful Eden Archer. But there’s something strange about Eden and her brother, Eric. Something he can’t quite put his finger on.

At first, as they race to catch a very different kind of serial killer, his partner’s sharp instincts come in handy. But soon Frank’s wondering if she’s as dangerous as the man they hunt. –

My Take

This is a cleverly layered novel, superbly written, that flits between the past and the present, between the serial killer case the Sydney based police are currently focussing on, and Eden Archer’s story.

Eden Archer and her brother have a secondary agenda, one which Hades, their adoptive father, has trained them for all their life. Those who get in the way, those who want to know too much and to get too close, are putting their own lives on the line.

My rating: 5.0

About the author
(from Random House Australia)

Candice Fox is the middle child of a large, eccentric family from
Sydney’s western suburbs composed of half-, adopted and pseudo siblings.
The daughter of a parole officer and an enthusiastic foster-carer,
Candice spent her childhood listening around corners to tales of
violence, madness and evil as her father relayed his work stories to her
mother and older brothers.

As a cynical and trouble-making
teenager, her crime and gothic fiction writing was an escape from the
calamity of her home life. She was constantly in trouble for reading
Anne Rice in church and scaring her friends with tales from Australia’s
wealth of true crime writers.

Bankstown born and bred, she failed to conform to military life in a brief stint as an officer in the Royal Australian Navy at age eighteen. At twenty, she turned her hand to academia, and taught high school through two undergraduate and two postgraduate degrees. Candice lectures in writing at the University of Notre Dame, Sydney, while undertaking a PhD in literary censorship and terrorism.

Hades is her first novel, and won the Ned Kelly Award for best debut in 2014. Eden, its sequel, is published in December.

See another review at AustCrime.

Review: WEB OF DECEIT, Katherine Howell

  • first published by Pan Macmillan Australia 2013
  • #6 in the Ella Marconi series
  • ISBN 978-1-7426-1030-6
  • source: my TBR

Synopsis (Pan Macmillan Australia)

When paramedics Jane and Alex encounter a man refusing to get out of his crashed car with bystanders saying he deliberately drove into a pole, it looks like a desperate cry for help. His frantic claim that
someone is out to get him adds to their thinking that he is delusional.

Later that day he is found dead under a train in what might be a
suicide, but Jane is no longer so sure: she remembers the raw terror in
his eyes.

Detective Ella Marconi shares Jane’s doubts, which are only compounded
when the case becomes increasingly tangled. The victim’s boss tries to
commit suicide when being questioned, a witness flees their attempt to
interview her, and then to confuse matters further, a woman is beaten
unconscious in front of Jane’s house and Alex’s daughter goes missing.

Ella is at a loss to know how all these clues add up, and feels the
investigation is being held back by her budget-focused boss. Then, just
when she thinks she’s closing in on the right person, a shocking turn of
events puts more people in danger and might just see the killer slip
through her hands.

My Take

WEB OF DECEIT follows the same structure as Howell’s earlier novels in the series: police investigations running in parallel with paramedics whose callout allows the reader to see another side of a victim. The result is four strong characters who are dedicated to the work that they are doing. But they all have more personal relationships on their minds as well, and I think that is what makes them seem so real. None of us operates in a vacuum. Our personal lives impinge on our work and vice versa.

Here is a well plotted novel written by an accomplished and established Australian author, the first to win two Davitt awards.

I have two novels in this series to catch up on: DESERVING DEATH published in 2014, and TELL THE TRUTH due out Feb 2015. I am looking forward to reading both of them!

My rating: 4.7

I’ve also reviewed

5.0, FRANTIC – #1 (mini review) – 2007

4.6, THE DARKEST HOUR – #2 – 2008

4.8, COLD JUSTICE – #3 -2010

4.8, VIOLENT EXPOSURE -#4 – 2010

4.8, SILENT FEAR -#5 – 2012

Review: MASTERMIND, Helen Goltz

  • source: review copy from author
  • this edition published by Atlas Productions 2014
  • ISBN 978-0-9807532-0-2
  • 420 pages
  • #1 in the Mitchell Parker series

Synopsis (author website)

You are playing a game online; masterminding the perfect crime. Or at least you think it’s a game. A seemingly normal web site inviting game players to mastermind the perfect crime is the façade for billionaire Lawrence Hackett’s real-life game of Mastermind—an invitation-only competition for a select few to see who can perform the perfect heist and win an enormous bounty.

Special Agent Mitchell Parker and his team learn the magnitude of the international crime ring just in time. Washington, London, Paris … the clock is on. If you love it when a plan comes together, hold on tight, because nothing is about to go right! Available from Atlas Productions and Amazon
My Take

Contestants in Mastermind must plan and carry out the perfect crime. A prize pool of five million pounds will be divided among the Mastermind entrants who succeed. Entry is by invitation and only six entries will be selected to play. Each Mastermind act is allocated a supervisor and must take place in the month of November. Each Mastermind crime has to be unique, a crime that has never been carried out before. There have been two rounds of Mastermind in the past, and five crimes have been successful. The stakes are high, but the profits for the brains behind it are high as well.

Mitchell Parker’s team from the FBI’s Trans national Crimes Unit uncovers something suspicious during a routine surveillance of university activities, an extended booking of a high level science lab, and the rollercoaster ride of the novel begins there. The story is a thriller, a times a real page turner, a mix of ambitious plot lines and personal interest stories.

Helen Goltz is a new-to-me Australian author although she now has two books in this series published, and another one due out soon. I thought there were signs that MASTERMIND is a debut title, a few wavery plot lines, and some questions that at the end I had no answer to, but in general it is a good read.

Goltz also is the author of a number of other titles. See her website for more details.

My rating: 4.3