Review: MASTERMIND, Helen Goltz

  • source: review copy from author
  • this edition published by Atlas Productions 2014
  • ISBN 978-0-9807532-0-2
  • 420 pages
  • #1 in the Mitchell Parker series

Synopsis (author website)

You are playing a game online; masterminding the perfect crime. Or at least you think it’s a game. A seemingly normal web site inviting game players to mastermind the perfect crime is the façade for billionaire Lawrence Hackett’s real-life game of Mastermind—an invitation-only competition for a select few to see who can perform the perfect heist and win an enormous bounty.

Special Agent Mitchell Parker and his team learn the magnitude of the international crime ring just in time. Washington, London, Paris … the clock is on. If you love it when a plan comes together, hold on tight, because nothing is about to go right! Available from Atlas Productions and Amazon
My Take

Contestants in Mastermind must plan and carry out the perfect crime. A prize pool of five million pounds will be divided among the Mastermind entrants who succeed. Entry is by invitation and only six entries will be selected to play. Each Mastermind act is allocated a supervisor and must take place in the month of November. Each Mastermind crime has to be unique, a crime that has never been carried out before. There have been two rounds of Mastermind in the past, and five crimes have been successful. The stakes are high, but the profits for the brains behind it are high as well.

Mitchell Parker’s team from the FBI’s Trans national Crimes Unit uncovers something suspicious during a routine surveillance of university activities, an extended booking of a high level science lab, and the rollercoaster ride of the novel begins there. The story is a thriller, a times a real page turner, a mix of ambitious plot lines and personal interest stories.

Helen Goltz is a new-to-me Australian author although she now has two books in this series published, and another one due out soon. I thought there were signs that MASTERMIND is a debut title, a few wavery plot lines, and some questions that at the end I had no answer to, but in general it is a good read.

Goltz also is the author of a number of other titles. See her website for more details.

My rating: 4.3

Review: WHAT CAME BEFORE by Anna George

thS2QUVYS0Even if you’re only vaguely aware of the Australian literary scene you’d be hard pressed not to have seen or heard something about WHAT CAME BEFORE over the past few months. A debut novel by Melbourne writer Anna George it has a dramatic opening in which a man starts making a statement into his dictaphone where he admits that he’s just killed his wife. The novel proceeds (or precedes mostly) from there to pick apart the two-year relationship between David and Elle and explain – as much as such things can ever be truly understood – how it came to such an end.

Where the book excels for me is in its depiction of its two central characters. Elle is a smart, capable woman yet she slides into a dysfunctional relationship with David and stays there even as her doubts increase. David is neither knuckle-dragging nor monster and is self-aware enough, at least at times, to know the difference between the man he wants to be and the one he seems to be. In short, they are not the “other” people that bad things happen to. They are just like you and me.

Even if you haven’t yourself been involved in an abusive relationship I’d be prepared to wager there isn’t a reader alive who wouldn’t recognise the realism in it. Surely we have all lied to ourselves and our loved ones about some aspect of our life that isn’t as it should be; isn’t as we display it to the world. And many will have watched someone they know be swallowed up in the kind of self-delusions that Elle, and David too, succumb to. The depiction of Elle is particularly perfect. Her excitement at the intensity of her love for David. Her willingness to throw her natural caution to the wind due to the unexpected strength of her feelings. Her dawning recognition that not everything about David is good; that sometimes he scares her. The internal arguments she has with herself about whether or not to stay and how much of his behaviour is her fault. Her determination to believe she is in control. That she can change him through sheer force of her will. Even when her strangled body is lying on the laundry floor of her home and she’s floating ethereally above it Elle is very, very believable. As is David. Even when he’s managing to blame Elle for being strangled by him.

As a story the book didn’t work quite as well for me. The opening – though dramatic – made it impossible for me to be caught up in the early, heady days of Elle and David’s relationship. In telling me that the relationship was doomed from the outset I felt…cheated…I suppose in not being able to experience the roller coaster effect of a good thing gone horribly wrong. Instead from page one I was just waiting for David to falter, as I had been told he would. Perhaps that was the author’s intent, perhaps she wanted to show that it was never a good thing to start with, but I couldn’t help thinking that in this instance I’d have preferred a more traditional placement of beginning, middle and end.

There are also some really clunky parts of the novel. Elle is a film writer and director and is in the throws of making a romantic comedy during her relationship with David. I thought the author tried way too hard to draw parallels between the film and Elle’s life, to the point I wanted to shout “OK I get it, can we move on please“. And there’s the ending which I thought gimmicky and was, perhaps perversely, disappointed by. But for me the most significant flaw is the entire thread which deals with what comes after David’s strangling of his wife. It isn’t a huge component of the novel but it doesn’t feel nearly as well put together to me as the flashbacks which make up the bulk of the narrative. And at some points it is decidedly awkward. For example at one point David has gone to visit his godfather, who is a lawyer like David. He wants a sense from Reg about his chances, legally, and is dismayed when Reg reports on recent changes to the law. For me Reg’s dialogue is too…perfect…as if it had been crafted by a speechwriter in advance of a politician’s make-or-break speech on the subject of domestic violence

‘We live to higher standards today’. Reg focuses in tight on David. ‘You cannot kill your wife because you have lost control of her.’ …
‘And we,’ says Reg, ‘cannot continue to blame women for their deaths.’ (pg85)

Don’t get me wrong, I agree completely with the sentiments expressed I just didn’t feel they were natural. If it had been a movie Reg would have turned to the camera, Frank Underwood style, and broken the fourth wall to spout these lines rather than use them as dialogue uttered in what should have been a scene of panic and confusion on Reg’s part. This, and a few other sections like it, jarred and took me out of the otherwise consuming and enveloping sense of realism the novel had.

The subject of domestic violence needs to be raised, discussed, brought out into the light. Anna George has done so thoughtfully and with rare accessibility. It is difficult, if you are fortunate enough to have never been involved in such circumstances, to understand how and why people – victims and perpetrators – end up at the point of no return. WHAT CAME BEFORE offers real insight into this complex subject by depicting both Elle and David credibly and offering a plausible explanation without ever confusing that for justification. For me the pursuit of this admittedly admirable achievement seems to have overshadowed consideration of narrative structure and style at some points but overall it’s a book I’d find hard not to recommend, even with the odd caveat.


aww-badge-2015This is the first of what I hope to be 25 reviews I will write as part of my participation in the Australian Women Writers Challenge 2015. Why don’t you join the fun?


Publisher: Penguin [2014]
ISBN: 9780670077731
Length: 254 pages
Format: paperback
Creative Commons Licence
This work by http://fairdinkumcrime.com is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: TELL ME WHY by Sandi Wallace

TellMeWhyWallaceSandi22585_fGeorgie Harvey is a Melbourne-based writer who starts looking for a possibly missing elderly woman from the nearby country town of Daylesford as a favour to a friend. In that town John Franklin, one of the local policemen, is investigating a series of threatening letters being sent to new mothers in the area and he’s not too interested when Georgie tries to involve police in her hunt for the missing Susan Pentecoste. But Georgie becomes convinced Susan’s sudden disappearance is more sinister than it appears on the surface as she starts to uncover links to major incident five years earlier.

Rural settings have had something of a resurgence in local publishing in recent years so it doesn’t surprise me to see a crime novel labelled as the first in a series of rural crime files. Happily though this is more than just bandwagon-jumping as Wallace clearly knows the locations in which the events she depicts take place, making the setting of this novel is one of its strengths and giving the reader a sense of the realities of small town life.

The story too is well constructed with both plot lines developing nicely over the course of the novel. Although there are the requisite red herrings I liked the fact that the resolution to both major plot elements were grounded in reality and didn’t get lost down rabbit holes involving the kind of lunatics you only find in fiction as I feared might happen towards the beginning of the novel.

I also enjoyed the way the main characters were developed. Both are strong characters with lots of good qualities and some annoying ones, like most people, and are very believable. John Franklin’s troubles as a single parent, including the impact this has on his career aspirations, is well drawn as is Georgie’s desire to hang on to the few family-like connections she has in her life. For me the romantic tension between these two characters felt forced and unnecessary but I’ll admit to being almost completely fed up with the “will they, won’t they” kind of plot line.

Overall though TELL ME WHY is an above average debut novel with lots of promise for future instalments. It feels very Australian without relying on out-dated clichés and has a good story with engaging characters. I’ll be keeping an eye out for rural crime files number two.


Publisher: Clan Destine Press [2014]
ISBN: 9780992329662
Length: 330 pages
Format: paperback
Creative Commons Licence
This work by http://fairdinkumcrime.com is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: ANTIDOTE TO MURDER, Felicity Young

  • first published by Harper Collins 2013
  • ISBN 978-0-7322-9369-7
  • 325 pages
  • #2 in the Dody McLeland series
  • source: my local library

Synopsis (publisher)

Set in Edwardian London, this fantastic mystery series features Britain’s first female autopsy surgeon.

When an act of compassion misfires, autopsy surgeon Dr Dody McCleland must fight not only for her
career, but also for her life. The body of a scullery maid is discovered in her room. When it emerges that she had recently begged Dody to terminate an unwanted pregnancy, the coroner recommends Dody be tried for criminal abortion causing death. Meanwhile, the one man who might be able to help her, Chief Inspector Matthew Pike, is nowhere to be found.

After another woman’s body is discovered bearing all the hallmarks of
the same crime, Dody suspects that a rogue doctor is on the loose. Amid
the turbulence of Edwardian London with its mix of strikes,
suffragettes, German spies, exotic dancers and an illicit drug trade,
Dody must unmask the killer before more girls are butchered and her own
life ends on the gallows.

My take

Australian crime fiction author Felicity Young does a good job with a historical setting, giving her novel a feeling of authenticity, at the same time presenting the problems which women faced in the medical profession in the early 20th century.

Set in London in 1911, when conducting an abortion is a criminal offence, and encouraging women to practice birth control is also illegal, Dody assists the famous Sir Bernard Spilsbury in autopsies. But even with the great man’s patronage, she treads a very thin line as she advises women towards better contol of their child bearing.

Dody faces not only public opposition to women like her breaking into the professions, but also opposition among males already working there. And treachery comes from an unexpected place, almost resulting in her death.

My rating: 4.5

I’ve also reviewed

A CERTAIN MALICE

HARUM SCARUM

TAKE OUT

4.7, A DISSECTION OF MURDER -#1 in the Dody McLeland series

Review: A MURDER UNMENTIONED by Sulari Gentill

AMurderUnmentionedGentillThe problem with having read, loved and reviewed the five previous instalments of Sulari Gentill’s wonderful series of crime novels set in 1930’s Australia (and beyond) is that I am running out of superlatives with which to gush like a schoolgirl intelligently describe this enchanting series. Happily for us all Ms Gentill does not share my lack of creativity.

Most of the action in this sixth novel takes place at the Sinclair family’s rural estate Oaklea where ambitious landscaping plans lead to the discovery of the gun used in the killing of Rowland and Wilfred Sinclair’s father over a decade earlier. At the time the death was assumed by the authorities to have occurred during the commission of a burglary but when they receive some insider information on top of the gun’s discovery, police start looking closer to home for possible culprits of the unsolved crime.

Fans of the series will be pleased that all their favourite characters are back and in top form. Rowly’s three friends, who have been with him through all his adventures once again combine their talents to help Rowly and his family in a myriad of ways, though I think it’s Milt the plagiarising poet who goes above and beyond the call of duty on this occasion. One of the particular strengths of this novel is its depiction of the complex relationship between Rowly and Wil. The brothers have struggled to see eye to eye due to their different approaches to life, but when both come under suspicion at different points each does his utmost to protect the other. This unwavering loyalty and they way they learn to see how the other has experienced life differently even though they are part of the same family strikes a very realistic chord. It is rare that adult sibling relationships are depicted so completely.

Although A MURDER UNMENTIONED is, overall,  a light-hearted novel it is not without troubling themes. We learn a sad secret from the Sinclair family’s closet in a demonstration that even families which appear to ‘have it all’ often hide terrible traumas. And Rowly is still struggling to get people in authority to accept how dangerous the Nazis in Germany are; something he knows first hand due to the experiences depicted in PAVING THE NEW ROAD (the fourth book of this series).

In short then there is nothing not to like about A MURDER UNMENTIONED. There’s family drama, unrequited love, a suspenseful mystery, a blazing fire which must be escaped and the ever-popular cameo appearances from some of our history’s famous faces (including a yet-to-be prime minister and one of our pioneering landscape gardeners). This is all wrapped up in a thoughtful, intelligent and amusing story that rips along at a cracking pace. Released here this month A MURDER UNMENTIONED is highly recommended reading.


In order the earlier novels in this series are A FEW RIGHT THINKING MEN, A DECLINE IN PROPHETS, MILES OFF COURSE, PAVING THE NEW ROAD and GENTLEMEN FORMERLY DRESSED


Publisher: Pantera Press [2014]
ISBN/ASIN: 9781921997433
Length: 375 pages
Format: paperback
Creative Commons Licence
This work by http://fairdinkumcrime.com is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: A FATAL TIDE, Steve Sailah

Synopsis (Net Galley)

A powerful novel set in Gallipoli, that’s part war-story and part mystery.

‘Amid Gallipoli’s slaughter he hunted a murderer . . .’

It is 1915 and Thomas Clare rues the day he and his best friend Snow went to war to solve the murder of his father. The only clues – a hidden wartime document and the imprint of an army boot on the victim’s face – have led the pair from the safety of Queensland to the blood-soaked hills of Gallipoli.

Now not only are Thomas’s enemies on every side – from the Turkish troops bearing down on the Anzac lines, to the cold-blooded killer in his own trench – but as far away as London and Berlin.

For, unbeknown to Thomas, the path to murder began thirteen years earlier in Africa with the execution of Breaker Morant – and a secret that could change the course of history . . .

My Take

The scope of this novel is quite ambitious: its themes include the Australian soldiers at Gallipoli in 1915; the Boer War, particularly what led up to the execution of Breaker Morant; the relationships between Aborigines and whites in Australia in the early twentieth century; as well as a closely plotted murder mystery.

The novel also falls in with a pattern emerging in Australian fiction as the 100th anniversary of the Gallipoli landing approaches, of novels set in the First World War that wrap fictitious plots in historical fact. Real historical characters such as Major General Harry Chauvel and Lord Kitchener make an appearance.It also explores what it was like at Anzac Cove and the role that trench warfare played there even before it became the dominant feature of the Western Front.

I did find parts of the murder plot a bit far fetched, particularly the idea that the murder of his father led Thomas Clare to enlist, and indeed the reason why his father was murdered.

Nevertheless the plot holds together fairly well and the background to the main story certainly added to my understanding of the times.

There seemed to be some unresolved strings at the end which could well be the platform into a sequel.

My Rating: 4.3

About the author

Steve Sailah is a former ABC foreign correspondent in New Delhi and Washington
and the recipient of two prestigious Walkley Awards. He was a friend to several
Gallipoli veterans, and returned to the battlefields with a number of them on
the 75th anniversary of the first ANZAC landing. His ABC documentary, Stories
from Gallipoli
, was republished in April 2013.

Review: QUICK, Steve Worland

  • format: Kindle (Amazon)
  • File Size: 1041 KB
  • Print Length: 340 pages
  • Publisher: e-penguin (August 27, 2014)
  • Sold by: Penguin Group (USA) LLC
  • Language: English
  • ASIN: B00L4T1UHS
  • source: publisher review copy at NetGalley

Synopsis (NetGalley)

Strap in for a breathtaking, tyre-peeling, high-octane adventure ride by the rising star of action thrillers.

Melbourne, Australia:
Round one of the Formula One World Championship. Billy Hotchkiss no longer races
a V8 Supercar, but that doesn’t mean he’s lost the need for speed. When the
young cop uncovers a diamond heist in progress he leaps into action and almost
captures the thieves single-handedly.

Lyon, France: Interpol are convinced the criminals are somehow connected to Formula One. And they think this Australian ex-race driver is just the guy to stop them.

Sent undercover with an unwilling French partner, Billy is thrust into the
glamorous world of international motor racing. But as the duo closes in on the
thieves they soon expose a far more sinister threat.

With the fate of a city and the lives of one hundred thousand people in the balance, Billy
must drive like never before to stop the worst act of terror since 9/11.

My Take

When the author contacted me about reviewing this title he didn’t know that I am an addicted Formula One couch potato. I was interested to see what sort of crime fiction novel you could set in the Formula One world.

The answer is a fast-paced sizzling thriller, with lots of mind blowing stunts, and a seemingly indestructible and multi-talented protagonist.

I guess being familiar with the names of drivers, the location of tracks etc. really fuelled my enjoyment but I also enjoyed seeing the F1 world from the inside, and I learnt a few things too.

The novel really zips along and stretches the bounds of credibility. But who cares? The pure escapism had me snickering at times. And there’s mystery too as you try to work the identity of the Three Champions that Billy Hotchkiss is tracking, as well as what they will ultimately aim to do, and why they are doing it.

My rating: 4.5

About the author

Steve Worland has worked extensively in film and television in Australia
and the USA. He has written scripts for Working Title and Icon
Productions, worked in script development for James Cameron’s Lightstorm
and wrote Fox Searchlight’s ‘Bootmen’, which won five Australian Film
Institute awards.

Steve also wrote the action-comedy telemovie ‘Hard Knox’, the bible and episodes of the television series ‘Big Sky’ and the Saturn award-winning ‘Farscape’. The family film ‘Paper Planes’, which he co-wrote, will be released worldwide in 2015. His novelisation of the screenplay will be released at the same time.

He is the author of the action-adventure novels ‘Velocity’, ‘Combustion’ and ‘Quick’ and is currently writing his fourth book.

Review: IN THE MORNING I’LL BE GONE, Adrian McKinty

  • first published in 2014
  • This edition published by Serpent’s Tail 2014
  • ISBN 978-1846688201
  • 326 pages
  • #3 in the Sean Duffy Trilogy
  • borrowed from my local library

Synopsis (publisher)

The third book in the Sean Duffy thriller series. A spectacular escape and a man-hunt that could change the future of a nation – and lay one man’s past to rest.

Sean Duffy’s got nothing. And when you’ve got
nothing to lose, you have everything to gain. So when MI5 come knocking, Sean knows exactly what they want, and what he’ll want in return, but he hasn’t got the first idea how to get it.Of course he’s heard about the spectacular escape of IRA man Dermot McCann from Her Majesty’s Maze prison. And he knew, with chilly certainty, that their paths would
cross.

But finding Dermot leads Sean to an old locked room mystery, and into the kind of danger where you can lose as easily as winning. From old betrayals and ancient history to 1984’s most infamous crime, Sean tries not to fall behind in the race to annihilation. Can he outrun the most skilled terrorist the IRA ever created? And will the past catch him first?

My Take

This story focusses on events in 1983 and 1984: first of all the breakout of a number of IRA terrorists from the Maze prison and then the subsequent IRA bombings of 1984.

And along the way, under the guise of investigating cold cases, Sean Duffy begins to investigate the accidental death of Lizzie Fitzpatrick. This is a locked room mystery, but the coroner had not been satisfied that the death was accidental and returned an open verdict. Mary Fitzpatrick has always been convinced it was murder but no one could envisage how it happened. But why was Lizzie changing a light bulb in the dark, balancing precariously on the bar?

The locked room mystery adds an extra filip to this story. In his teens Sean Duffy had been at school with Dermot McCann, and had known the Fitzpatrick family. I also liked the way McKinty has definitely established a setting and time frame.

Sean Duffy will do almost anything to regain his place in CID but how much is he controlling his destiny?

This probably is the best of the Sean Duffy trilogy, but only by a hair’s whisker.

My rating: 4.9

I’ve also reviewed

FIFTY GRAND
4.6, THE COLD COLD GROUND – Sean Duffy #1
4.8, I HEAR THE SIRENS IN THE STREET – Sean Duffy #2
4.6, FALLING GLASS

About the author

Adrian McKinty was born and grew up in Carrickfergus, Northern Ireland.
He studied politics and philosophy at Oxford University and then
emigrated to New York in 1993. He lived in Harlem for seven years
working at various jobs, with various degrees of legality, and in 2000
he moved to Denver, Colorado to become a high school English teacher.

In
2008 he emigrated again this time to Melbourne, Australia with his wife and kids. Adrian’s first crime novel, Dead I Well May Be, was shortlisted for the Ian Fleming Steel Dagger Award. The sequel to that book, The Dead Yard, was picked as one of the 10 best books of the year by Booklist and won the Audie Award for best crime fiction novel.

The first book in the Sean Duffy series, The Cold Cold Ground, won the 2013 Spinetingler Award for best novel. The second Sean Duffy book, I Hear The Sirens In The Street was shortlisted for the Ned Kelly Award.

Review: FATAL LIAISON, Vicki Tyley

  • Length:
    8 hrs and 33 mins
  • Format: Unabridged
  • Release date May 2014, from Crossroad Press

Synopsis (Publisher)

The lives of two strangers, Greg Jenkins and Megan Brighton, become inextricably entangled when they each sign up for a dinner dating agency. Greg’s reason for joining has nothing to do with looking for love. His recently divorced sister, Sam, has disappeared and Greg is convinced that Dinner for Twelve, or at least one of its clients, may be responsible.

Neither is Megan looking for love. Although single, she only joined at her best friend Brenda De Luca’s insistence. When a client of the dating agency is murdered, suspicion falls on several of the members. Then Megan’s friend Brenda disappears without trace, and
Megan and Greg join forces. Will they find Sam and Brenda? Or are they about to step into the same inescapable snare?

My Take

The dating agency Dinner for Twelve looks innocuous enough, but it certainly attracts its share of oddball characters. Its clients though don’t expect murder to be on the menu, but one of the guests at the first dinner that Brenda, Megan, and Greg attends disappears and is then found dead.

Greg Jenkins employs a rather comic private investigator to assist him in the search for his missing sister. And when her friend Brenda disappears he and Megan become a sleuthing “item”.  Greg is pretty sure he knows which of the other Dinner for Twelve clients is guilty, and is exultant when the police detain this person to assist in their enquiries, but bewildered when he is released.

This is a story with many twists and turns, with one that I didn’t expect right at the end.

My rating: 4.4

I’ve also reviewed 4.3, THIN BLOOD – an Amazon 2010 Customer Favorite

About the author

From her website

Mid 2002, I quit my high-pressure management job and moved with my husband
to a farm about ninety minutes north-east of Melbourne to write fulltime. Since then,
I’ve written five (six if you count my first one, now banished to the bottom drawer
never to see the light again) standalone contemporary murder mysteries.

Outside of writing and reading, my main interests are design and photography. I like to laugh, drink coffee, spend time alone, spend time in company, and get close to nature. I
dislike crowds, hospitals and offal.

I write fast-paced mystery and suspense novels in contemporary Australian settings. All my books are quick, easy reads with no gratuitous sex or violence – the type of books I enjoy as a reader. However, my characters occasionally swear.

Review: THE LOST GIRLS, Wendy James

  • format: Kindle (Amazon)
  • File Size: 956 KB
  • Print Length: 268 pages
  • Publisher: e-penguin (February 26, 2014)
  • Sold by: Penguin Group (USA) LLC
  • Language: English
  • ASIN: B00H8ARVG6

Synopsis (Amazon)

From the bestselling author of The Mistake comes a hauntingly powerful story about families and secrets and the dark shadows cast by the past.

Curl Curl, Sydney, January 1978.

Angie’s a looker. Or she’s going to be. She’s only fourteen, but already, heads turn wherever she goes. Male heads, mainly . . .

Jane worships her older cousin Angie. She spends her summer vying for Angie’s attention. Then Angie is murdered. Jane and her family are shattered. They withdraw into themselves, casting a veil of silence over Angie’s death.

Thirty years later, a journalist arrives with questions about the tragic event. Jane is relieved to finally talk about her adored cousin. And so is her family. But whose version of Angie’s
story – whose version of Angie herself – is the real one? And can past wrongs ever be made right?

The shocking truth of Angie’s last days will force Jane to question everything she once believed. Because nothing – not the past or even the present – is as she once imagined.

My Take

A cleverly written book, told mainly from the point of view of Jane, who was just twelve when Angie died. Jane’s story is told partly in first person, particularly from an observer’s point of view, and partly through the interviewing of Jane and other family members by Erin, a journalist wanting to make a radio documentary. Of course, at twelve, there are aspects of real life that Jane really doesn’t understand, but now, thirty years on she can bring a more adult perspective to her teenage memories.

The focus of the story is who killed Angie and why, and also the impact of her death on the immediate members of Jane’s family. What Jane did not understand at the time of Angie’s death is that there were big secrets.

I managed to get part of the “real” story worked out easily enough but the final piece slotted in only a few pages from the end.

My rating: 4.7

I’ve also reviewed
4.8, WHERE HAVE YOU BEEN?
4.8, THE MISTAKE