This review was originally published at Reactions to Reading in May 2010
In the 1950′s it’s eight months since the events of A BEAUTIFUL PLACE TO DIE and, under South Africa’s increasingly draconian apartheid laws, Emmanuel Cooper has been re-classified as non-white and stripped of his job in the police. He’s had to move to Durban and is working a manual labour job by day and doing undercover surveillance work documenting police corruption at the dockyards for his former boss at night. It’s during his night time work that he stumbles across the body of a young boy, Jolly Marks. Of course investigating deaths is no longer Cooper’s job but he is compelled to work the case anyway. When he is accused of being the one to have committed the crime, and two subsequent murders, he has only a brief window of time to clear his name.
Once again Malla Nunn has delivered a brilliant depiction of a time and place. In the urban setting the harshness of the political situation is even more starkly displayed than was the case with the first book which took place in the remote Jacob’s Rest. With so many routine day-to-day activities now controlled by the myriad of new laws virtually everyone is in danger of doing something illegal at some point and the distrust, paranoia and necessary self-interest this engenders is portrayed here to perfection. There is also a hefty dose of desperation displayed by many characters caught in horrendous circumstances such as having married before the laws came into effect and now learning the marriage is outlawed because the couple are newly classified as different races. What struck me too here was that on top of all the kinds of hell the regime settled upon the civilian population it made the ever-present ‘us and them’ mentality between police and the wider community that much worse because, essentially, everyone a policeman comes across is a criminal of one sort or another. Even an honourable cop struggles to deal with that.
Characterisations are Nunn’s other great skill. I liked Emmanuel Cooper even more than in the first book though he is not always a likable human being. But as a character, flaws and all, he is the sort of person who leaps off the page. Experiencing first hand the plight of being classified out of the self-appointed ruling race and losing his job, the main thing by which he defines himself as a human being, make Cooper lose some of his confidence and sense of self-worth. He seems even more haunted by the phantom of his former Sergeant Major and is generally not functioning at his best but he strives, not always successfully, to do no harm to others, especially when the two friends he made in Jacob’s Rest come to town to help him. There isn’t a single standout villain here but there’s a criminal under
As far as story goes I found the middle section a bit woolly with a couple of complications too many. Apart from Cooper, who simply can’t let the dead lie, no one seemed to care much about the murder victims because they were too busy worrying about themselves (not without good reason I admit) or, in the case of the cops, were focused on ‘getting’ Cooper. For a while the story lost its way a little though it ended strongly with a nail-biting but believable climax.
Emmanuel Copper is certainly not the first flawed protagonist in crime fiction but I find him unique in terms of the experiences he’s endured and I’m left wanting to read more about him. And while this is too confronting a setting to be considered a comfort read it is superbly drawn and, alas, all too believable. I heartily recommend this book though would suggest reading A Beautiful Place to Die first to get a full sense of all that Cooper has had and lost before becoming who he is in this novel.
My rating: 4/5 stars (rating scale is explained here)
Publisher Simon & Schuster 
Length 382 pages
Format Trade Paperback
Source I bought it