DEAD AGAIN is the follow up to 2014’s TELL MY WHY and takes readers back to a deceptively peaceful-looking rural Victoria. At the novel’s outset journalist Georgie Harvey has been commissioned to write a feature on the two-year anniversary of devastating bushfires that killed many people and saw countless homes lost. She begins attempting to draw out individual stories of several survivors but soon starts concentrating her efforts on one family in particular. Meanwhile, in nearby Daylesford, the policeman who Georgie met in the first novel is investigating a series of local burglaries and dealing with a dangerous domestic violence situation.
Although the central setting here is a fictional town it’s clear that the parts of this novel dealing with the bushfires and its survivors is drawing on very real-world experiences of such events. There is a genuine authenticity to the feelings expressed and behaviour exhibited by the survivors. I admire this realism but it is also one of the things that made the novel a difficult one for me, though perhaps not for the expected reason. It made it almost impossible for me to read about Georgie and her behaviour which I found abhorrent. The way she bullies her way into people’s lives – assuming she has a right to do so because there’s a story there – made my skin crawl. When she deliberately engages a child survivor of the bushfires explicitly against the girl’s mother’s request I wanted to report her to whatever authority I could find. I know this says more about me and my hatred of invasive journalism than it does about the book but as a reader I can’t help but drag along my own biases and journalists with questionable ethics are a particular bugbear of mine. I would like to have seen some consideration of the ethical issues associated with Georgie’s journalism, aside from the very casual brush-off she gives the matter herself.
I don’t know if my intense dislike of Georgie’s behaviour overshadowed the rest of my reading experience or whether it would have been the case anyway but I struggled to engage with this novel as a whole. The investigative thread that Georgie teases out from her coverage of the fire survivors is actually an interesting one but the other threads – the ones taking part in policeman John Franklin’s part of Victoria – never really engaged me. In fact this content seemed to be acting solely as a means of keeping the potential romance between John and Georgie alive. For about half of the book there seems to be no reason at all that we regularly switching between what’s happening in Bullock (the fictional town Georgie is working in) and the day-to-day life of John Franklin other than we know the pair have some kind of ‘connection’.
For me anyway DEAD AGAIN feels like it’s trying to be too many things at once: jumbling police procedural, modern romance and investigative thriller elements in a way that nearly works but doesn’t quite do so. The combination of a journalist and police investigator has potential but here it felt forced and unrealistic which jarred with the more authentic elements of the novel which include many of the minor characters in addition to the parts of the story dealing with bushfire survivors. Georgie’s professional lack of ethics and her ever-present willingness to fling herself into incredibly dangerous situations made her a chore to read about for me and though I often proclaim I don’t need a protagonist to be likeable I do need them to engage me in a way that doesn’t make me want to fling their book at a wall in sheer frustration.
This is the 6th book I’ve read and reviewed for the 2017 Australian Women Writers Challenge. For more information about the challenge check out my challenge progress, sign up yourself or browse the Challenge’s database of reviews.
Publisher: Atlas Productions, 2017
Length: 318 pages
Source of review copy: Provided by author for honest review