Review: IN THE MORNING I’LL BE GONE, Adrian McKinty

  • first published in 2014
  • This edition published by Serpent’s Tail 2014
  • ISBN 978-1846688201
  • 326 pages
  • #3 in the Sean Duffy Trilogy
  • borrowed from my local library

Synopsis (publisher)

The third book in the Sean Duffy thriller series. A spectacular escape and a man-hunt that could change the future of a nation – and lay one man’s past to rest.

Sean Duffy’s got nothing. And when you’ve got
nothing to lose, you have everything to gain. So when MI5 come knocking, Sean knows exactly what they want, and what he’ll want in return, but he hasn’t got the first idea how to get it.Of course he’s heard about the spectacular escape of IRA man Dermot McCann from Her Majesty’s Maze prison. And he knew, with chilly certainty, that their paths would
cross.

But finding Dermot leads Sean to an old locked room mystery, and into the kind of danger where you can lose as easily as winning. From old betrayals and ancient history to 1984’s most infamous crime, Sean tries not to fall behind in the race to annihilation. Can he outrun the most skilled terrorist the IRA ever created? And will the past catch him first?

My Take

This story focusses on events in 1983 and 1984: first of all the breakout of a number of IRA terrorists from the Maze prison and then the subsequent IRA bombings of 1984.

And along the way, under the guise of investigating cold cases, Sean Duffy begins to investigate the accidental death of Lizzie Fitzpatrick. This is a locked room mystery, but the coroner had not been satisfied that the death was accidental and returned an open verdict. Mary Fitzpatrick has always been convinced it was murder but no one could envisage how it happened. But why was Lizzie changing a light bulb in the dark, balancing precariously on the bar?

The locked room mystery adds an extra filip to this story. In his teens Sean Duffy had been at school with Dermot McCann, and had known the Fitzpatrick family. I also liked the way McKinty has definitely established a setting and time frame.

Sean Duffy will do almost anything to regain his place in CID but how much is he controlling his destiny?

This probably is the best of the Sean Duffy trilogy, but only by a hair’s whisker.

My rating: 4.9

I’ve also reviewed

FIFTY GRAND
4.6, THE COLD COLD GROUND – Sean Duffy #1
4.8, I HEAR THE SIRENS IN THE STREET – Sean Duffy #2
4.6, FALLING GLASS

About the author

Adrian McKinty was born and grew up in Carrickfergus, Northern Ireland.
He studied politics and philosophy at Oxford University and then
emigrated to New York in 1993. He lived in Harlem for seven years
working at various jobs, with various degrees of legality, and in 2000
he moved to Denver, Colorado to become a high school English teacher.

In
2008 he emigrated again this time to Melbourne, Australia with his wife and kids. Adrian’s first crime novel, Dead I Well May Be, was shortlisted for the Ian Fleming Steel Dagger Award. The sequel to that book, The Dead Yard, was picked as one of the 10 best books of the year by Booklist and won the Audie Award for best crime fiction novel.

The first book in the Sean Duffy series, The Cold Cold Ground, won the 2013 Spinetingler Award for best novel. The second Sean Duffy book, I Hear The Sirens In The Street was shortlisted for the Ned Kelly Award.

Review: FATAL LIAISON, Vicki Tyley

  • Length:
    8 hrs and 33 mins
  • Format: Unabridged
  • Release date May 2014, from Crossroad Press

Synopsis (Publisher)

The lives of two strangers, Greg Jenkins and Megan Brighton, become inextricably entangled when they each sign up for a dinner dating agency. Greg’s reason for joining has nothing to do with looking for love. His recently divorced sister, Sam, has disappeared and Greg is convinced that Dinner for Twelve, or at least one of its clients, may be responsible.

Neither is Megan looking for love. Although single, she only joined at her best friend Brenda De Luca’s insistence. When a client of the dating agency is murdered, suspicion falls on several of the members. Then Megan’s friend Brenda disappears without trace, and
Megan and Greg join forces. Will they find Sam and Brenda? Or are they about to step into the same inescapable snare?

My Take

The dating agency Dinner for Twelve looks innocuous enough, but it certainly attracts its share of oddball characters. Its clients though don’t expect murder to be on the menu, but one of the guests at the first dinner that Brenda, Megan, and Greg attends disappears and is then found dead.

Greg Jenkins employs a rather comic private investigator to assist him in the search for his missing sister. And when her friend Brenda disappears he and Megan become a sleuthing “item”.  Greg is pretty sure he knows which of the other Dinner for Twelve clients is guilty, and is exultant when the police detain this person to assist in their enquiries, but bewildered when he is released.

This is a story with many twists and turns, with one that I didn’t expect right at the end.

My rating: 4.4

I’ve also reviewed 4.3, THIN BLOOD – an Amazon 2010 Customer Favorite

About the author

From her website

Mid 2002, I quit my high-pressure management job and moved with my husband
to a farm about ninety minutes north-east of Melbourne to write fulltime. Since then,
I’ve written five (six if you count my first one, now banished to the bottom drawer
never to see the light again) standalone contemporary murder mysteries.

Outside of writing and reading, my main interests are design and photography. I like to laugh, drink coffee, spend time alone, spend time in company, and get close to nature. I
dislike crowds, hospitals and offal.

I write fast-paced mystery and suspense novels in contemporary Australian settings. All my books are quick, easy reads with no gratuitous sex or violence – the type of books I enjoy as a reader. However, my characters occasionally swear.

Review: THE LOST GIRLS, Wendy James

  • format: Kindle (Amazon)
  • File Size: 956 KB
  • Print Length: 268 pages
  • Publisher: e-penguin (February 26, 2014)
  • Sold by: Penguin Group (USA) LLC
  • Language: English
  • ASIN: B00H8ARVG6

Synopsis (Amazon)

From the bestselling author of The Mistake comes a hauntingly powerful story about families and secrets and the dark shadows cast by the past.

Curl Curl, Sydney, January 1978.

Angie’s a looker. Or she’s going to be. She’s only fourteen, but already, heads turn wherever she goes. Male heads, mainly . . .

Jane worships her older cousin Angie. She spends her summer vying for Angie’s attention. Then Angie is murdered. Jane and her family are shattered. They withdraw into themselves, casting a veil of silence over Angie’s death.

Thirty years later, a journalist arrives with questions about the tragic event. Jane is relieved to finally talk about her adored cousin. And so is her family. But whose version of Angie’s
story – whose version of Angie herself – is the real one? And can past wrongs ever be made right?

The shocking truth of Angie’s last days will force Jane to question everything she once believed. Because nothing – not the past or even the present – is as she once imagined.

My Take

A cleverly written book, told mainly from the point of view of Jane, who was just twelve when Angie died. Jane’s story is told partly in first person, particularly from an observer’s point of view, and partly through the interviewing of Jane and other family members by Erin, a journalist wanting to make a radio documentary. Of course, at twelve, there are aspects of real life that Jane really doesn’t understand, but now, thirty years on she can bring a more adult perspective to her teenage memories.

The focus of the story is who killed Angie and why, and also the impact of her death on the immediate members of Jane’s family. What Jane did not understand at the time of Angie’s death is that there were big secrets.

I managed to get part of the “real” story worked out easily enough but the final piece slotted in only a few pages from the end.

My rating: 4.7

I’ve also reviewed
4.8, WHERE HAVE YOU BEEN?
4.8, THE MISTAKE

Review: THE CARTOGRAPHER, Peter Twohig

  • first published in Australia by Harper Collins Publishers 2012
  • ISBN 978-0-7322-9316-1
  • source: library book
  • 386 pages

Synopsis (author site)

An eleven-year-old boy witnesses a violent crime. Just one year before, he looked on helplessly as his identical twin died  violently. His
determination that he himself is the link changes his life.

The Cartographer is a captivating novel about a tragic figure in a dark place. The nameless child who tells the story handles the terrors of his life by adopting the strengths of fictional pop culture characters he admires, drawing on comics, radio and television dramas, and movies, finally recreating himself as a superhero who saves himself by mapping,
and who attempts to redeem himself by giving up his persona so that another may live again.

His only mentors are a professional standover man, his shady grandfather, and an incongruous neighbourhood couple who intervene in an oddly coincidental way.

In the dark, dangerous lanes and underground drains of grimy 1959 Melbourne, The Cartographer is a story bristling with outrageous wit and irony about an innocent who refuses to give in, a story peopled with a richness of shifty, dodgy and downright malicious bastards, mixed with a modicum of pseudo-aunts, astonishing super heroes, and a few
coincidentally loving characters, some of whom are found in the most unlikely places.

http://browseinside.harpercollins.com.au/index.aspx?isbn13=9780732293161

My Take

This novel came highly recommended by  a friend whose judgement I trust, but perhaps it is just an indication of how widely our tastes diverge, that I can’t share her enthusiasm.

I think I lost my way about halfway through the book after our narrator, 11 years old and often unreliable, survived yet another “adventure” in the name of mapping a safer world. I lost sight of what this book was about, what mystery I should be helping to solve. It was probably all there, just not plainly enough for me. There are some delightfully humorous passages, but I sometimes also doubted the authenticity of the narrator’s voice. Juvenile narration is difficult to do at the best of times, but I felt our unnamed hero had too much latitude for his age.

I think there were connecting threads between various incidents in the story but the author made me work too hard to cobble them together. Perhaps at times I am a lazy reader…

My rating: 3.5

Check another review

Review: LIFE OR DEATH, Michael Robotham

Synopsis (Net Galley)

Why would a man escape from prison the day before he’s due to be released?Audie Palmer has spent a decade in prison for an armed robbery in which four people died, including two of the gang. Seven million dollars has never been recovered and everybody believes that Audie knows where the money is.

For ten years he has been beaten, stabbed, throttled and threatened almost daily by prison guards, inmates and criminal gangs, who all want to answer this same question, but suddenly Audie vanishes, the day before he’s due to be released.

Everybody wants to find Audie, but he’s not running. Instead he’s trying to save a life . . . and not just his own.

My Take

Australian author Michael Robotham, already acclaimed both in Australia and internationally, takes a different direction in this novel: not the next in his Ruiz and O’Loughlin series set in Britain, but a stand-alone set in Texas. For me it shows another step, a necessary one, for Robotham in his development as a novelist. And one that I think will be popular with American readers.

Audie Palmer is a survivor – first of all from a gunshot that shattered his cranium, and then a decade where every other inmate in the prison seemed to want to be the one who killed Audie Palmer. As the day for his release looms Audie knows he is not going to make it to freedom alive.

The story is told from Audie’s point of view, but in the third person, and we gradually piece together Audie’s life before the armed robbery, and then his part in the robbery. We understand what has kept him going for a decade and why he escapes the day before his release date. But will he survive on the run as he tries to put the record straight?

There is a cinematographic quality to this story and I would not be surprised to find it optioned for a film.

LIFE OR DEATH puts Robotham right up there with modern crime fiction writers. It is a tightly plotted thriller with a roller coaster of suspense. It has made it  into my top 5 reads for this year.

My rating: 5.0

I’ve also reviewed
BOMBPROOF
SHATTER
SHATTER (audio)
BLEED FOR ME
5.0, THE WRECKAGE
4.8, SAY YOU’RE SORRY
5.0, WATCHING YOU
4.8, IF I TELL YOU… I’LL HAVE TO KILL YOU (edit)

Review: IN THE MORNING I’LL BE GONE by Adrian McKinty

InTheMorningIllBeGoneMcKintyIN THE MORNING I’LL BE GONE completes what is surely one of crime fiction’s best trilogies*. Collectively the set has used an assortment of routine crimes and their investigation as an avenue into the crazy, mixed-up world that was Northern Ireland’s Troubles; offering the kind of insider perspective on everyday life that non-fiction can never quite manage. And while the first two books were both outstanding, IN THE MORNING I’LL BE GONE is…perfect.

As the book opens series hero, Sean Duffy, has been expelled from the police, ostensibly for running someone over with his police vehicle but really because of the many feathers he has ruffled and lines he has crossed in the events depicted in earlier instalments. Just as he is contemplating a move to Spain, where his police pension might stretch a little further and the weather will definitely be sunnier, he gets an offer he can’t refuse. His old school mate and IRA leader Dermot McCann is one of the prisoners who escaped from the Maze prison on one horrendous night and Special Branch wonder if Duffy’s personal connection might enable him to uncover information about McCann’s whereabouts and current plans.

I think my favourite of the many lovable things about this novel is its intricately clever plot that includes a romping, old-fashioned locked-room mystery. I’ll admit to being wary at the first sign of this classic trope because many modern attempts go horribly awry through thinking this an easy plot element to achieve. But McKinty has not succumbed to the lure of the paranormal nor unfairly hidden some snippet of information from the reader and the fact his characters are aware of the infamy of the type of puzzle they’re trying to solve somehow makes it seem all the more legitimate. Being a huge fan of the locked-room story I’d have been happy enough with this alone, but the plot holds much more including an ending that inserts Duffy very credibly into one of the period’s most dramatic real events. Said ending is wickedly unforgettable but not over-the-top and this is such a rare thing in crime novels these days it must be applauded.

Escaped violent prisoners, girls dead too young, injustice in myriad forms and the ever-present worry there might be a bomb under one’s car shouldn’t make ripe ground for laughter but there is a wry humour pervading this novel; lifting the depressing sensibility it might (surely would?) otherwise have. But despite this, or perhaps because of it, the reader is rarely in any doubt that serious business is at hand. This perfect balance between seriousness and humour is evidenced by the novel’s opening sentences

“The beeper began to whine at 4.27pm on Wednesday, 25 September 1983. It was repeating a shrill C sharp at four-second intervals which meant – for those of us who had bothered to read the manual – that it was a Class 1 emergency. This was a general alert being sent to every off-duty policeman, police reservist and soldier in Northern Ireland. There were only five Class 1 emergencies and three of them were a Soviet nuclear strike, a Soviet invasion and what the civil servants who’d written the manual had nonchalantly called ‘an extra-terrestrial trespass’.”

InTheMorningIllBeGoneAudioPossibly even more important than offering a ripper yarn with an undercurrent of humour is the undoubted insight the novel offers into this turbulent time and place. There are banalities and absurdities; terror and dullness; the personal and the political are irretrievably and dangerously intertwined; right and wrong are everywhere: jumbled, often indistinguishable. The problem with most of the non-fiction I’ve read on this topic is that it tries to make sense of it all whereas McKinty seems to have realised the futility of that and just depicted what was: a surreal and often nonsensical morass of humanity at its worst. And best.

I could go on some more but if I haven’t already convinced you to give this one a go then there’s no hope for you. From its Tom Waits’ borrowed title to the very last word of chapter 32 IN THE MORNING I’LL BE GONE is a treat. It offers everything I look for in a novel: lovably imperfect characters, an enveloping sense of its time and place, emotional highs and lows and some of the best laughs you’ll find between two covers. I recommend it to everyone: crime fan or not. And if you happen to be a lover of audio books do yourself a favour and grab the Gerard Doyle narration.


*there are rumours of a fourth Sean Duffy book in the works but, for now at least, this is a complete set.

My review of this book’s predecessors IN THE COLD COLD GROUND and I HEAR THE SIRENS IN THE STREET


Publisher: Print – Serpent’s Tail [2014]; Audio – Blackstone Audio [2014]
ISBN Print version: 9781846688201 ASIN Audio version: B00HWH90XM
Length: 326 pages / 9 hrs 51 minutes
Format: paperback / mp3
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A pair of thrillers: Greg Barron’s SAVAGE TIDE and Steve Worland’s COMBUSTION

It’s probably not fair of me to lump books together like this purely because they share a genre but I’m afraid my reading has outpaced my reviewing by a country mile over the past month or so and I’m a little desperate to catch up

TheSavageTideGregBarron21017_fGreg Barron’s SAVAGE TIDE is the follow up to ROTTEN GODS and once again pits intelligence officer Marika Hartmann and friends against a particularly nasty breed of evil-doers bent on causing the collapse of civilisation. It opens with a confrontingly realistic massacre of a group of school children and their teachers in eastern Africa. The people responsible for this atrocity are led by one of the world’s most wanted terrorists. And this incident is only the beginning of what he has planned.

Marika works for the squirreliest arm of Britain’s Secret Service and along with ex-Special Forces operative PJ Johnson and a small team they cross some of the hottest spots in the world today a they try to get ahead of the terrorists. Who make the job even harder by having a well-placed operatives in unexpected quarters including near the centre of operations at Marika’s home base.

Barron make this more than the standard thriller on two levels. He offers intelligent insights into the mass of complexity that is modern international relations and includes some fantastically memorable characters. Like Kifimbo, a soldier and Marika’s local guide in Somalia, who is haunted by the things he has seen and becomes attached to the infant survivor of the massacre he witnesses. And Ayanna, the Somali village girl who dreams of a different life than the one she is destined for. Even the bad guys are fleshed out so that readers understand what motivates their actions even when we find them abhorrent.

As with the first book I did find SAVAGE TIDE a bit long, too densely detailed at some points, but it seemed to move at a quicker pace and I was compelled to keep reading. The short chapters, each showing action from London to Iran to Somalia and a half-dozen other places besides, help provide the sense of speed the novel offers. It’s always a good sign that a book will leave a lasting impression when, days later, I am still wondering how a character is coping with the injuries they incurred. I hope there’ll be a third novel in the series so I can find out.

♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦

CombustionSteveWorland22197_fCOMBUSTION is also a second novel in a series and though in this instance I haven’t read the first Worland provided enough information about events that unfurled there for me not to feel left out (yet not too much that I feel I couldn’t go back and read the first). An alleged environmentalist with more money than sense unleashes his horrific plan to ensure people finally stop relying on fossil fuel-burning engines on the freeways of Los Angeles and it falls to NASA astronaut Judd Bell and his Australian, helicopter-pilot friend Corey Purchase to stop the mayhem.

Worland makes no secret of the fact his background is in movies, in fact his website’s claim is that his books offer the best action movie you’ll ever read. There are some up-sides to this background – the action is full on and there isn’t a lot of unnecessary filler – though overall this style of book is not really my cup of tea. I have been known to skim-read the action passages in thrillers (fight sequences and descriptions of equipment and weaponry being among my least favourite subjects to read) but in this instance doing so wouldn’t leave a lot else behind. We do get a bit of a back story to Judd and Corey but there’s really sod all to explain how the madman at the centre of the evil plot got to the point where he could internalise the hypocrisy of claiming to be an environmentalist while plotting to kill millions and ruin the west coast of America for a decade or so. But the action is made enjoyable by the vein of humour, depicted most notably in the easy banter between Judd and Corey and the unique relationship between Corey and his faithful dog Spike.

I do have to have a tiny whine about two elements of the writing though. By the end of the novel I was gritting my teeth at the constant brand name dropping as characters glanced at their Tag Heuers, reached for their iPhones (no Android devices in the whole of LA apparently), leapt into their Priuses (Priusi?) and otherwise acted like shills for the hippest of (presumably deep-pocketed) companies. And while I know this is going to highlight my status as a grumpy old woman (as if I’ve been keeping that a secret) I’d also had enough of gratuitous italicisation. As in “…the rubble is right at his heels…” and “…seems to gather speed…”.  Why?

♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦

Of course discussing books together like this almost demands comparison, however unreasonable that may be, and as I did read the books in close succession I did compare them naturally anyway. For my taste SAVAGE TIDE is the preferable novel because I like subtext and learning what makes people tick more than I like the adrenalin-rush action of things blowing up and in-the-nick-of-time escapes (though SAVAGE TIDE has those elements too). But COMBUSTION is a lot of fun and, if they get the casting right keep their tongues firmly planted in their cheeks, will make a romp of an action movie.

♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦
SAVAGE TIDE
Publisher Harper Collins [2013]
ISBN 9780733294366
Length 482 pages
Format paperback

COMBUSTION
Publisher Penguin [2013]
ISBN 9781921901119
Length 323 pages
Format paperback

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Review: MURDER AND MENDELSSOHN by Kerry Greenwood

MurderAndMendelssohnKerry22100_fI have dipped in and out of Kerry Greenwood’s historical crime series set, mostly, in 1920’s Melbourne (with occasional forays further afield) which is an indication that it is a series I like but do not love. This instalment is probably a good example of why the series has never been one of my firm favourites. For, despite the prominence of the word in the title, there’s not actually a lot of murder or anything else vaguely criminal.

It’s the 20th novel to feature independently wealthy, private detective Phryne Fisher and sees her and her unique family ostensibly embroiled in the hunt for the killer of a choir conductor (and then another). I say ostensibly because there is a lot else going on here that seems to be more important to just about everyone in the book than finding out who killed the disagreeable conductor. Firstly there are the goings on of the choir which Greenwood depicts using her own extensive knowledge of choral singing to good effect. The problem for me is that what I know about choral music could fit easily on the back of a small postage stamp and I felt lost more than once when the book dived into specialist details such as a discussion of this composer over that one or the merits of a particular interpretation of a piece of music. I’ve read plenty of books in which topics I know little about have come alive but that didn’t happen for me on this occasion.

The other main thread of the novel revolves around Phryne’s obsession with the love-life of an old war time friend. He is a doctor whom she knew when she was driving ambulances in the war and the pair share turbulent memories. But now John Wilson is in the throes of unrequited love for a Holmes-like mathematician who gives lectures about the science of deduction. A good deal of the story is taken up with Phryne’s efforts to make the aforementioned expert see what’s right under his nose and I was a bit bored by it all. There was, after all, never any doubt Phryne would get her way (she always does) and while it’s always nice to get a happy ending to a love story I wasn’t terribly interested in the nuances of how they got there. I also found the universal acceptance of the openly homosexual couple to be a bit unrealistic for the time period. Some conflict or lack of acceptance of this paring from some corner of their world would have added a bit more credibility and the dramatic element I was looking for.

Despite these misgivings there are still things to enjoy about the novel. As ever, Greenwood’s writing is top-notch and peppered with humour and Phryne’s mixture of wit, intelligence, courage and love of all life’s pleasures are as endearing always. The depiction of her highly functional ‘family of choice’, consisting of a selection of adopted children and good friends, is another pleasing element. The idea that families can be made and connected by things other than blood is something Greenwood explores in both her long-running series and it adds an interesting element to her writing. The book also offers a realistic depiction of the various long-term effects of the Great War on those who served in it.

I’m sure Phryne’s fans will enjoy this story but if you’re new to the series I wouldn’t recommend this particular instalment as the place to start. Happily this is one of those series you can read enjoyably out of order or without having read each instalment so I’d opt for MURDER IN MONTPARNASSE, in which Phryne and her two wharfie friends investigate a cold case from the war years, or MURDER IN THE DARK which offers a Christmas-time house party and multiple kidnappings for the readers’ entertainment.


awwbadge_2014This is the 11th book I’ve read and 10th I’ve reviewed for this year’s Australian Women Writers Challenge. Check out my challenge progress and/or sign up yourself

Kerrie reviewed the same book last year.


Publisher: Allen & Unwin [2013]
ISBN: 9781742379562
Length: 376 pages
Format: paperback
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Review: THE VANISHING MOMENT by Margaret Wild

TheVanishingMomentWildM22110_fI only discovered after I’d finished reading THE VANISHING MOMENT that two of Margaret Wild’s earlier novels were written in verse but I’m not surprised. The book – a novella really at a deliciously short 184 pages – has the kind of economy with words that I would expect of a poet and its use of language seems very deliberate. As though each word has been the subject of thoughtful consideration before being included which doesn’t seem to be the case with every book I read these days.

It is the tale of three young people whose lives appear to have nothing to do with each other. Though there couldn’t be too many readers who don’t anticipate some kind of coming together it’s not clear what form this intertwining will take and Wild does a good job of building this suspenseful part of the story. Arrow, still troubled by a tragedy which occurred in her childhood, has finished high school but doesn’t know what to do with herself and is being increasingly pressured by her parents to do something other than laze about. Marika is of a similar age but is more ‘together’ in that she knows she wants to be (or already is?) an artist – a sculptor in fact – and is taking steps to get there. The tragedy in her life is yet to come when the book opens. Bob is a young man with a troublingly good memory whom both young women will eventually meet.

Given the novel is marketed as YA and includes a paranormal theme it would have been easy for me to dismiss it but I quickly found myself engrossed. Although in the end it is very important to the story as a whole, the supernatural element doesn’t really occupy an enormous amount of the book (which is as I like it) and I enjoyed reading about these two young women and how they coped (or didn’t) with the traumas they both experienced. Their characters are nicely fleshed out and their tribulations are realistic and genuine (as in they’re not taking to their beds because of a bad haircut or something equally inane).

The book does rip along (as it would with that length) and Wild does keep readers intelligently in suspense for most of the tale. I do have to admit though that I found the final act a little disappointing. It seemed a bit too…convenient…I suppose is the best word. The rest of the book showed a lot of maturity but the last quarter or so reminded me it was targeted at a much younger audience than I’ll ever be part of again and felt a little unsophisticated relative to the earlier part of the novel.

Overall though I liked the book and the way it played with the boundaries of genre. It’s not a traditional crime novel in that there are no procedural elements and whodunit is never the central question but there are crimes and these events, and how people react to them, are pivotal to the story. So I would thoroughly recommend THE VANISHING MOMENT, especially to younger readers though it isn’t one of those YA novels that offers an alien world to people over 30. If you are going to read it I’d avoid the blurb and a lot of reviews which give away far more than they should. I went into this one knowing absolutely nothing about the story and am sure that had a lot to do with my enjoyment.


awwbadge_2014This is the 10th book I’ve read and 9th I’ve reviewed for this year’s Australian Women Writers Challenge. Check out my challenge progress and/or sign up yourself


Publisher: Allen & Unwin [2013]
ISBN: 9781743315903
Length: 184 pages
Format: paperback
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Review: FALLING GLASS by Adrian McKinty

  • from Audible.com
  • stand-alone novel published in 2011
  • Narrated by: Gerard Doyle
  • Length: 9 hrs and 37 mins 
  • Format: Unabridged audio

Synopsis (Audible.com)

Richard Coulter is a man who has everything. His beautiful new wife is pregnant, his upstart airline is undercutting the competition and moving from strength to strength, his diversification into the casino business in Macau has been successful, and his fabulous Art Deco house on an Irish cliff top has just been featured in Architectural Digest. 

But then, for some reason, his ex-wife Rachel doesn’t keep her side of the custody agreement and vanishes off the face of the earth with Richard’s two daughters. Richard hires Killian, a formidable ex-enforcer for the IRA, to track her down before Rachel, a recovering drug addict, harms herself or the girls.

My Take

This makes very good listening.

Killian comes out of retirement to find Richard Coulter’s wife – the money on offer is far too good. Half a million dollars seems a lot of money for dealing with a custody case. At first Rachel Coulter alone knows why her ex-husband is having her hunted down. There’s a lot more at stake than two little girls.

The tension rises as Coulter pours more resources into the hunt. Killian realises that he himself is being tracked.

This is a difficult book to review without revealing too much of the story and so I’m not going to tell you much more. Despite his background as an IRA enforcer Killian comes over as a likeable character, but his willingness to be ruthless also comes in handy. The story is based mainly in Ireland.

My rating: 4.6

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